Ebook The World Only Spins Forward: The Ascent of Angels in America, by Isaac Butler Dan Kois
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The World Only Spins Forward: The Ascent of Angels in America, by Isaac Butler Dan Kois
Ebook The World Only Spins Forward: The Ascent of Angels in America, by Isaac Butler Dan Kois
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Review
"Best Books to Gift for 2018" - The Cut"Best Books of the Year" - NPR"Best Nonfiction Books of the Year" - Electric Literature"[An] epic oral history. . .Hundreds of interviewees--from playright Tony Kushner to Meryl Streep, who starred in the HBO adaption--lend their insight into both the themes of the play as well as the creative acts required to bring it so stunningly to life." - Maris Kreizman, The Cut, "Best Gifts for Book Lovers""A full-bodied portrait of Angels and the many people who nurtured it . . . A vivid, intelligently organized oral history . . . More than just the masterful story of one brilliant play, The World Only Moves Forward demonstrates the essentially collaborative nature of theater as an art form." - Wendy Smith, Washington Post"The definitive account of a definitive work of American drama. A-." - Entertainment Weekly, "Books to Read, February 2018""A fascinating, backstage tour . . . The point is not just to show how this play found its voice, but also to place it in context . . . Theater magic. You’ve got to love it. And Dan Kois and Isaac Butler have captured a lot of it in The World Only Spins Forward." - Bob Mondello, NPR “Best Books of the Yearâ€"Like Angels in America itself, this oral history of Tony Kushner’s two-part, seven-hour theatrical masterwork contains multitudes . . . capturing the ongoing reverberance and currency of Angels. It also conveys, on a granular level, the determination, heartbreak and competitive fire that go into making great theater . . . The World Only Spins Forward both celebrates and illuminates a great work." - San Francisco Chronicle"An illuminating assemblage of anecdotes, commentary, and nitty-gritty rehearsal notes . . . The World Only Spins Forward will stand as the definitive account of the birth, life, and legacy of Angels." - American Theatre"Marvelous . . . a vital book about how to make political art that offers lasting solace in times of great trouble, and wisdom to audiences in the years that follow." - Washington Post"[A] fascinating oral history." - Vogue"The World Only Spins Forward is a tribute to a masterwork as well as evidence that Angels in America is as urgent today as it was when it premiered." - Esquire"The definitive history of this now iconic play in oral history format . . . This gathering of the voices of actors, writers, and others is exceptional . . . Highly recommended for anyone interested in performance, cultural history, and theater." - Starred review, Library Journal"A brash and buoyant oral history of Angels in America . . . This invaluable origin story also examines the AIDS era and queer history in general." - Starred review, Booklist"Even those who have never seen Angels will certainly be entertained and will come away with a great appreciation for the play." - Publishers Weekly"A rich historical resource, the book chronicles the emergence of AIDS and the nation's changing attitudes toward homosexuality from 1978 to 2018, when Angels is set to be revived yet again . . . A chorus of candid, emotional, and often moving testimonies." - Kirkus Reviews"Compelling, surprising and inspiring . . . The World Only Spins Forward has everything you want in an oral history of Angels in America: historical context, funny and thoughtful memories from hundreds of eyewitnesses and a celebration of an enduring, powerful theater piece." - Shelf Awareness"Ingenious . . . Captures all the twists and turns of fate that went into the two-part epic's creation with a sense of suspense and drama--from the joy and exuberance to the heartache . . . Butler and Kois place us on intimate terms with the play's characters, ideas, and humanity--and their book, a prescient reminder of the need to follow one's truth in the face of oppression and intolerance, will be an invaluable text for years to come." - Lambda Literary Review"Butler and Kois have done stellar work here... this isn't just a history of this play, it's a history of a time in America, and the absolute sea change that this play was instrumental in causing." - Tor.com"We can more than guarantee that you won't read anything quite like this phenomenal collection all year." - PopSugar"A kaleidoscopic and fabulously entertaining book . . . Even the uninitiated are sure to be moved." - Los Angeles Review of Books"A must-read historical account for theater lovers, history buffs, and actors alike." - Backstage"[A] prodigiously reported and deeply engaging book by Isaac Butler and Dan Kois that traces the evolution of Tony Kushner's landmark two-part play about the AIDS crisis. This oral history is, like the play it chronicles, a masterpiece of its art form... the overall effect is like eavesdropping at a reunion of old friends once the boring folks have left and the good booze has been poured." - National Book Review"[A] superbly paced, enthralling oral history of this now-classic work of theater, Butler and Kois splice interviews with more than 200 figures including Kushner, Meryl Streep, critic Frank Rich, director Oskar Eustis, and Kushner's husband, writer Mark Harris, into an extraordinary narrative of the origin and evolution of a groundbreaking work of genius." - National Book Review"The World Only Spins Forward is funny, moving, and utterly fascinating, a portrait of artists coming together to make something radically new and beautiful." - Thrillist, "Best Books of 2018""Fascinating." - Newsweek"[A] beautiful literary homage to [Kushner’s] theatrical sensation... Its true heart is found in the perspectives and opinions of hundreds of people associated with the play... The resounding voices of actors, authors, playwrights, critics, scholars, and many more echo throughout this impressive historical retrospective." - Bay Area Reporter"Kois and Butler's sharp pruning and assembly of these lively conversations recreates a living, breathing version of the truth only possible via crowdsourcing . . . The story that emerges is not only one of unbelievable talent and hard work, or even the who's-getting-fired/who's-getting-hired gossip that thickens the broth of any good origin story; no, the real story is the sheer tenuousness of the play's grip on success. Its narrative reveals a number of turning points which, out of either happenstance or angelic interference, all went the right direction . . . Finishing the book . . . leaves the reader feeling as though they've been through something." - Milwaukee Magazine"Tony Kushner's Angels in America is a significant accomplishment. Significant as well were the tremendous efforts that went into the making of it: the setbacks, doubts, battles, scenes considered and reconsidered, as well as the revelations and epiphanies. All of it is here in The World Only Spins Forward, a vital contribution to our understanding that a great play does not simply descend to Earth, fully formed, like an angel on a wire. This book should be required reading for anyone who cares about art in all its forms." - Michael Cunningham"A meticulously textured oral history about an extraordinary work of art and the era of its creation, woven out of the words of the genius who created it and all of the artists, producers, and friends whose love, talent, and dedication made it possible." - Anna Deavere Smith"A wildly entertaining and definitive chronicle of the most important play of its era, The World Only Spins Forward manages to be a fascinating look at the artistic process, a sophisticated case study in how politics informs art, and a probing, lively work of criticism. In digging deep into the singular achievement of Angels in America, Isaac Butler and Dan Kois also make a persuasive case for the oral history itself, a deceptively tricky form that, as they demonstrate, can be as ambitious as any other. An essential part of any culturally-engaged person's library." - Jason Zinoman, New York Times-bestselling author of LETTERMAN: THE LAST GIANT OF LATE NIGHT"Several people interviewed in this book called Angels in America 'the Hamilton of its time'--which makes reading The World Only Spins Forward the next best thing to being in the room where it happened. It's deep. It's dishy. It's a must-read for theater fans and engaged Americans." - Tim Federle, author of BETTER NATE THAN EVER"Theater fans, preorder this book right now! It's basically free compared to your Angels in America tickets and it will deepen your experience exponentially." - Rachel Fershleiser"Extraordinary." - Terry Teachout"A truly astounding read and worth your time." - Cheryl Strayed, on Twitter, of the Slate feature"Required reading that kept me up late." - Lin-Manuel Miranda, on Twitter, of the Slate feature"Offers new perspectives on the creation and legacy of a dramatic masterpiece … I was especially moved by firsthand accounts of the queer community in the shadow of AIDS … [The World Only Spins Forward] had me constantly underlining passages and/or reading them aloud to a friend. Oral histories call out to be shared and appreciated by as many people as possible." - Hank Stephenson, Shelf Awareness"The World Only Spins Forward chronicles the play’s birth, reception, and surprising afterlife in the words of those who made it, and it paints a compelling picture of the community of actors, producers, activists, and stage professionals who transformed a playwright’s private vision into a theatrical and cultural event rivaled in our time only by Hamilton. The result is a valuable document of its era, a treasure trove of gossip and creative insight, and a handbook for surviving as an artist in the face of indifference and oppression, and its message urgently deserves to be heard at a moment when what Kushner calls “the Great Work†prepares to begin yet again." - Alec Nevala-Lee, author of ASTOUNDING: JOHN W. CAMPBELL, ISAAC ASIMOV, ROBERT A. HEINLEIN, L. RON HUBBARD, AND THE GOLDEN AGE OF SCIENCE FICTION
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About the Author
Isaac Butler is a writer and theater director, most recently of The Trump Card, a meditation on the peculiar rise of Donald Trump with the solo performer Mike Daisey. Butler also wrote and directed Real Enemies, a collaboration with the composer Darcy James Argue and the video artist Peter Nigrini, which was commissioned by the Brooklyn Academy of Music and named one of the top ten live events of 2015 by the New York Times. He holds an MFA in creative nonfiction from the University of Minnesota, and his writing has appeared in the Guardian, Slate, American Theatre, the Los Angeles Review of Books, and other publications. He lives in Brooklyn.Dan Kois is an editor and writer for Slate's culture section and a contributing writer for the New York Times Magazine. He's the former culture editor at Slate, where he launched the Slate Book Review. He previously co-hosted the podcast Mom and Dad Are Fighting and is a frequent guest on Slate's Culture Gabfest. His previous book was Facing Future, about the Hawaiian musician Israel Kamakawiwo'ole, for Bloomsbury's 33 1/3 series, and his next book is How to Be a Family, a memoir of parenting around the world.
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Product details
Hardcover: 448 pages
Publisher: Bloomsbury USA (February 13, 2018)
Language: English
ISBN-10: 9781635571769
ISBN-13: 978-1635571769
ASIN: 1635571766
Product Dimensions:
6.4 x 1.6 x 9.6 inches
Shipping Weight: 1.7 pounds (View shipping rates and policies)
Average Customer Review:
4.5 out of 5 stars
28 customer reviews
Amazon Best Sellers Rank:
#240,802 in Books (See Top 100 in Books)
There are very few theatrical productions that both recount the change of history and make that recount a change in itself. "Angels in America: A Gay Fantasia on National Themes" by Tony Kushner is one such production. Appearing in the mid-1980's and continuing to this day, Kushner's play(s) give the AIDS epidemic a "face" by showing different bits of society who were affected by disease. By having a cast which included such characters as Roy Cohn and Ethel Rosenberg being surrounded by unknown people who carry the play's plot (to the extent there is a plot.) I never saw the plays at theaters but did see the wonderful HBO production in 2003 and read Tony Kushner's revised edition of the play, published in 2014.Isaac Butler's new book, "The World Only Spins Forward: The Ascent of Angels in America" is the story, basically, of the play's productions going forward from 1985. He interviews many of the cast members, production people, and those involved in the writing, direction, and finances of the play. The author, of course, is Tony Kushner, whose almost feverish writing and rewriting of the play was continuous over the first few years. Kushner combined the politics of AIDS with the personal of gay identity. He includes religious identity; several of the main characters were Mormon. (Hhhm, I wonder if the idea of "The Book of Mormon" came in part from "Angels"?)"Angels in America" was produced on stages from London to Los Angeles and played for many years in New York. The play began in San Francisco, produced at the Eureka Theater, a small local theater. Oskar Eustis was the producer and he and Kushner worked together with their actors and stage crews to put on the first production. But the play, as Kushner kept writing, was so long that it was eventually broken up into two plays. Who had the stamina to star in two plays? The mostly young cast who entertained the rapturous audiences who had the stamina to sit for hours! From San Francisco, the play headed to Los Angeles, and then on into the wider world.Bishop's book is written in chapters which are short interviews with various cast and crew. I really don't care for this form of non-fiction, but the subject was so well covered that the writing style didn't bother me. I mention this only because some readers don't like this style.
Brilliant-ish. Important. A must read. Now, I do find the books “compiler’s†choice to group the many people interviewed’s comments by subject matter rather than by time-frame rather frustrating (do we really care what the actor who played “Joe†in the third Lithuanian national tour thought about his character’s wardrobe?), And, the book on a whole is lacking in particularly one area. PHOTOGRAPHS! A BOOK ABOUT THE MOST VISUAL OF ALL PLAYS HAS VERY FEW PHTOGRAPHS! How can this BE? Yes, there ARE some. But, COME ON! What did the first production LOOK like? The Eureka production? The National? THE GOD DAMNED BROADWAY PRODUCTION! Aside from the SET, the LIGHTING, the COSTUMES, there aren’t even sufficient photos of the CASTS! There should have been COMPLETE CAST PHOTOS from EVERY SINGLE PRODUCTION so we knew who the “talking heads†were. You could even have reproduced EVERY SINGLE PROGRAM. You quote the actor who played “Belize†at the National, without EVER showing us what he LOOKED LIKE! You want to be definitive? BE definitive. The quotes are priceless, but grouped by subject rather than production or by year, it comes off as a mish-mosh. Highly important and relevant quotes mixed in with comments from an understudy in the 2003 Australian production. You have ALL the “Joes†talk about the unique aspects of playing the character, mixing in, with no apparent logic (and no photos) ALL the Joes from the 1980’s through to to 2018. 1994 Joe’s comment follows 1985’s Joe follows 2017’s Joe follows 2001’s Joe. In totally different productions, from college productions to Broadway to the first readings of the play to a 1994 workshop. It’s head-spinning and the less relevant quotes are given the same importance as the quotes from the Broadway Joe. VERY odd and disjointed and confusing. Better, I think, to have gone from production to production, year by year, BUILDING in importance rather than dissipating momentum. MUCH MORE time should have been devoted to the original, San Francisco cast. THEN all the subsequent casts leading UP TO the Broadway production which most of us are likely to have actually seen. And, what about the SET DESIGNERS? The COSTUME DESIGNERS? The SOUND DESIGNERS? I, particularly, don’t really care what research the actor playing “Prior†did to prepare for the production by the Michigan School Of The Arts in 2001. Frankly, I don’t particularly care what the ACTORS who are in the 2017 National Theater REVIVAL that recently moved to Broadway think about how grueling it is doing two three hour plays in one day. I DO care how the DIRECTOR of that production approached a twenty year old text. THAT would have been FASCINATING. But, we hear almost NOTHING from her. I know many personal stories about the Broadway production, having been friends with one of the lead actors, and the stories he told ME were MUCH more interesting than what the same actor, “for posterityâ€, told YOU. With no interviewer and without any editorial comment, we get, at the very least, a very “cleaned up†version of events. A very CAREFULLY SELF-SERVING picture of what went on offstage at this these productions. The book is MARVELOUS and a great deal of fun. Definitive? Not even close.
I can not believe that I read the same book that others here are reviewing so highly, and I am not certain what I expected from the book. I know I did not get what ever it was. Much like the society page in Sunday's paper, with photographs of attendees at upper-tier fundraisers, the content of "The World Only Spins Forward" must be fascinating to those involved, and to their five hundred closest friends, but few others.After reading nearly half the book, I could not continue. I am disappointed because I have seen the play twice and watched the HBO production several times, and I am still mesmerized by its beauty and power. There is definitely a particular audience for this book, and I am just not a member.
Amazing oral history of an iconic and important play and theatrical era. Well-structured, the authors somehow managed to create something dense with detail and insight without sacrificing the breeziness and gossipy nature of the format.
An exhaustive oral history of the creation and evolution of Tony Kushner's "Angels In America" that includes contributions from practically every creative principal in virtually every production of the play. The editors do a brilliant job of organizing and presenting all this material and establishing the broken world homophobic and under attack from a terrible new disease, in which it was created. Fascinating to anyone who loved the play or who loves theater or just who wonders where the miracles come from that take place on stages all over the world every day and night of the year.
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